Category Archives: Hung Kyun Research

Practical Hung Kyun Research

Kwan Tak-Hing as Wong Fei Hung Performs Long Pole [VIDEO]

Kwan Tak-Hing as Wong Fei Hung Performs  Long Pole video

Long pole was one of Grandmaster Wong Fei Hung’s specialities. It is said that in 1859 he was together with his father Wong Kei Ying traveling through Gwong Dung province and giving martial arts performance  in various cities, such as Fat Saan, Canton and Seun Dak.

At that time – as a teenager! – he defeated famous master Jeng Dai Hung and his “Left Hand Fishing Pole” (Jo Sau Tiu Yu Gwan) by using techniques from the “Ng Long’s Eight Trigram Long Pole” (Ng Long Baat Gwa Gwan) and acquired a nickname “Young Hero”.  Continue reading

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Tiger Claw School: A Brief Biography of Wong Moon Toy

Tiger Claw School: A Brief Biography of Wong Moon Toy

Wong Moon Toy’s ancestral home is Leung Dung, Saam Se, Toi Saan, Gwong Dung province. He is forty-three years old now. Already from an early age he liked sports very much and learned Northern Chinese martial arts from Lau Juk Fung, a student of Fok Yun Gaap (Huo Yuan Jia). Continue reading

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Hung Ga Kyun’s “Rattan Ring”

Hung Ga Kyun's "Rattan Ring"

“Stance training, ‘Three Stars Conditioning’, kicking the pole, hitting the sandbag, and pulling the rattan ring”,” explained Mr. Yip. “The basic Hung Kyun drills we practiced when I was young. You practice these in your lineage, right?”

“Yes, we practice, except … pulling the rattan ring, I do not know this exercise!”

“Oh, you don’t? Then you MUST learn it, my friend!” Continue reading

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Legends of the Old Hung Ga Kyun Masters: Lau Jaam

The Story of Hung Ga Kyun Grandmaster Lau Jaam

Cantonese martial art Master Mr. Wong Fei Hung, among his inheritors, there were two famous names, one being verified as Leung Fun, and the next was apparently Mr. Lau Jaam. They both as known-brave and skillful in fighting, outstanding in the Wong Fei Hung. Leung Fun died early, and Lau Jaam healthy and still alive. In martial art Lau was in no way weaker than Leung. They treated Lau as junior to Leung. But actually Lau was not learning from Wong Fei Hung, instead he was the pupil of Lam Sai Wing.

Continue reading

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Chinese Martial Arts, Please Wake Up! [3 Videos]

Chinese martial arts vs. MMA

You have probably seen the MMA fighter vs. Taiji “fighter” challenge match. Defeat in 10 seconds.  Are you surprised? We are not.

People say that the Taiji guy does not represent Taijiquan or Chinese martial arts in general.

You know what? He represents all CMA bullshit, all that is with Chinese martial arts wrong. 99% of today’s CMA martial artists would end up exactly the same. 

This is a video of the fight. Continue reading

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5 Combat Applications of PHK’s “Iron Broom Sweeping Kick”

Hung Ga Kyun Iron Broom Sweeping Kick

A young kid wanted to learn from a famous martial artist. He was poor, and could not afford the regular lessons.

The Master felt sorry for him, so he told him: “Before I accept you as my student, I want you to do following thing: When you go through the bamboo forest on your way from you work  and back to your village, I want you sweep the bamboos with your legs, left and right.” Continue reading

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PHK Plum Blossom Set “Right Lead” Application Drills

Kwan Tak-Hing as Wong Fei HungPower jabs, finger jabs, uppercuts, hammer fist groin strikes – right leg forward, right hand striking: that is our beginner’s PHK form “Cross Pattern Plum Blossom Set” (Sap Ji Mui Fa Kyun) in a nutshell.

Why right lead, so called “southpaw stance”?

Mark Hatmaker, of the proponents of southpaw guard, observes that there are more “deliberate southpaws” in today’s MMA (about 40%) than in boxing (about 10%), and explains his reasons why: Continue reading

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The True History of Chinese Martial Arts [Book Review]

Chinese Martial Arts: A Historical OutlineMan Mou Seung Chyun means “Scholar and Warrior” in Cantonese. It is an old Chinese ideal of a gentleman who can use skilfully both his brush and sword.

After well received book on Lama Paai Gung Fu (review HERE), dedicated to both history and technical curriculum of so called “Tibetan” styles of Chinese martial arts, David A. Ross Sifu of New York San Da brought us practical oriented textbooks of combined old and new methods, bringing the skills of traditional martial arts into the 21 century.

In his latest book, long awaited Chinese Martial Arts: A Historical Outline, he has tackled another difficult task – to present the true history of Chinese Gung Fu. And again, he does excellent job.  Continue reading

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„Snake, Cat and Crane Combined Set“ Instructional Video Series

„Snake, Cat and Crane Combined Set“ Instructional Video Series

„Snake, Cat and Crane Combined Set“ (Se Maau Hok Wan Ying Kyun), also called „Three Animals Set“ (Saam Ying Kyun), was  choreographed by Leung Wing Haang Sifu, who wrote a detailed book about it in 1950’s. The set did not get so popular as his another creation, “Butterfly Palm” (Wu Dip Jeung) and it is taught today just by very few Hung Ga teachers. Continue reading

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The Unique Skill of the Double Dragon Sabres

In the Hung Kyun collection of Mr. Lam Jou, one of the most classic weapon skill is “Double Dragon Sabre” (Seung Lung Dou), it is the set that master Lam Jou often performed in his time.

The predecessor of Seung Lung Dou has not been previously investigated. However, the pattern of this sword set is similar to  “Single Battle Sword” (Daan Pok Dou 單朴刀). Comparing Seung Lung Dou to Geui Chung Dou the former uses different kind of blades. It should also be pointed out that Seung Lung Dou and the Cantonese “Butterfly Knives” (Wu Dip Dou) have a different origin. So we can assume that Seung Lung Dou was created in the beginning of the 20th century when different martial art styles came together in Hong Kong, perhaps this set is a result of inter-exchange between areas and cultures, it is also Lam Jou’s mastery and comprehensive study of Northern and Southern martial arts. Continue reading

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