The man, the the myth, the legend – Grand Master Lam Jou, late patriarch of the Lam Family Hung Kyun, nephew and heir of “Mr. Tiger & Crane” Lam Sai Wing’s lineage, explains Hung Kyun bridges, power generation and combat applications!
Please check out super rare videos of the legendary Grand Master Lam Jou (1910-2012) below! Continue reading →
Donald Hamby Sifu started to train Hung Kyun in 1976 – the very same year I was born. Wow.
We always missed each other in Hong Kong – when I was there, Hamby Sifu wasn’t coming, when Hamby Sifu was going, I couldn’t. Damn.
My big brother Michael Goodwin kept telling me: “You need to meet Don, he is awesome, you need to me Don”.
And guess what – after all those years, we finally met! The legends didn’t lie – Don Hamby Sifu is BIG and STRONG – and in great shape. Continue reading →
“Long Bridges” techniques in “Tiger Crane Double Form Set” (Fu How Seung Ying Kyun) come from “Buddhist Family Arhat Style/Set” (Fat Ga Lo Hon Kyun) – including the “Seven Stars Continuous Smashing Strikes” (Chat Sing Lin Waan Kau)
Vast majority of “Five Elements” boxing techniques from the “Five Animals and Five Elements Set” (Ng Ying Ng Hang Kyun) are virtually the same as in today’s Hap Kyun
We have a photo of Lam Sai Wing, performing “Wing-Flap Hand” (Pok Yik Sau) technique, which is not found in any today’s Hung Kyun set. The article mentions “Seven Stars Continuous Smashing Strikes” as one of the special methods of Wong Yan Lam’s disciple, Hap Kyun’s Wong Mun Wing (Wong Hon Wing) – read the article here.
…and now, we have acquired a rare article series about Lam Sai Wing’s “Seven Stars Continuous Smashing Strikes [Set?]”, which btw. includes a drawing of the Pok Yik Sau – plus few other typical Hap Kyun techniques!
Long pole was one of Grandmaster Wong Fei Hung’s specialities. It is said that in 1859 he was together with his father Wong Kei Ying traveling through Gwong Dung province and giving martial arts performance in various cities, such as Fat Saan, Canton and Seun Dak.
At that time – as a teenager! – he defeated famous master Jeng Dai Hung and his “Left Hand Fishing Pole” (Jo Sau Tiu Yu Gwan) by using techniques from the “Ng Long’s Eight Trigram Long Pole” (Ng Long Baat Gwa Gwan) and acquired a nickname “Young Hero”.Continue reading →
Wong Moon Toy’s ancestral home is Leung Dung, Saam Se, Toi Saan, Gwong Dung province. He is forty-three years old now. Already from an early age he liked sports very much and learned Northern Chinese martial arts from Lau Juk Fung, a student of Fok Yun Gaap (Huo Yuan Jia). Continue reading →
Grand Master Lam Chun Sing, the youngest son of the legendary Grand Master Lam Jou, grand nephew of Lam Sai Wing, in the Foshan TV!
The news report covers parts of various sets, such as “Taming the Tiger in Gung Pattern” (Gung Ji Fu Fu Kyun), “Iron Thread Set” (Tit Sin Kyun), “Long Halberd vs. Spear” (Daai Dou Deui Cheung), “Double Butterfly Knives” (Wu Dip Seung Dou), Dit Da medicine, and more! Continue reading →
Cantonese martial art Master Mr. Wong Fei Hung, among his inheritors, there were two famous names, one being verified as Leung Fun, and the next was apparently Mr. Lau Jaam. They both as known-brave and skillful in fighting, outstanding in the Wong Fei Hung. Leung Fun died early, and Lau Jaam healthy and still alive. In martial art Lau was in no way weaker than Leung. They treated Lau as junior to Leung. But actually Lau was not learning from Wong Fei Hung, instead he was the pupil of Lam Sai Wing.
Nobody played Wong Fei Hung better than the late Kwan Tak-Hing, wouldn’t you agree? Nobody. Nobody even comes close. And it does not matter that Kwan Sifu actually did not practiced Hung Ga Kyun, but (Tibetan) White Crane.
As we all know, Kwan Sifu played Wong Fei Hung in over 100 movies – first one was made in 1949, and the last one (with Kwan Tak-Hing as Wong Fei Hung) in 1981.
The rare footage below comes from one of last Kwan’s Wong Fei Hung called Wong Fei Hung & Ghost Foot Seven – in English known as The Magnificent Kick, made in 1980. Continue reading →
One of the worst misconception in CMA is that CMA sparring and fighting needs to look different than [fill in any other art or combat sport]. What works looks surprisingly very similar – and what does not work looks very different.
Guess what – one of the frequently used idioms for martial arts was Kyun Seut, lit. “Art of the Fist”, or Kyun Faat, “Fist Methods”, i.e. “boxing” or “pugilism”.
Another old idiom for martial arts was Kyun Geuk, lit. “Fists & Legs” – basically kickboxing, just the other way round, “boxkicking”. Of course CMA cover also other modes of attack, such as elbow strikes, palm strikes, finger pokes, throws, grabs, joint locks, weapons, etc., but the message is clear – punching and kicking – “boxing” or “boxkicking” – is the foundation.
So – any time I hear “it is just kickboxing”, I wanna punch or kick the guy. Continue reading →
Health, strength, and practical combat skills – these are some of the main themes of Robin Gamble Sifu’s Scholar-Warrior podcast with Practical Hung Kyun Chief Instructor, Pavel Macek Sifu.
Gamble Sifu’s motto of the podcast is simple:
“To become a Scholar Warrior is to become a truly balanced, cultured and cultivated person”