Tag Archives: Luk Dim Bun Gwan

Hung Ga Weapon Sparring and Fencing

Hung Ga Weapon Sparring and Fencing

Q: Sifu, I have noticed that your Hung Ga school is also training weapon sparring. Can you post some videos of your Practical Hung Kyun’s weapon sparring, and maybe few tips, too?

Arno K.

A: As for weapons training, our school doesn’t train only sets or sparring sets, but also sparring drills and free fencing. Two fundamental weapons of our Practical Hung Kyun curriculum with specific sparring program are long pole and saber (adapted to short stick/baton). Continue reading

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Hung Ga, Wing Chun and the Mystery of Half Point

Hung Ga & Wing Chun Six and Half Point Long Pole

“Six and Half Point Long Pole” (Luk Dim Bun Gwan) is one of the most famous weapon techniques of Southern Chinese martial arts. It is practiced both in “old Wing Chun ” and  modern (Fat Saan) Wing Chun.

“Six and Half Point” was also a part of Lam Sai Wing’s Hung Ga Kyun curriculum. Grand Master Lam Jou writtes:

My uncle, Lam Sai Wing, added “Six and Half Pole” Techniques to this. The “Six and Half Pole” techniques were famous among the Chinese opera groups. These techniques originated from the Siu Lam monastery and then spread among the Chinese opera groups.

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“Six and Half Point Long Pole” (Luk Dim Bun Gwan)

"Six and Half Point Long Pole" (Luk Dim Bun Gwan)The 4 most famous southern weapon forms with the long single-ended pole (Daan Tau Gwan) are “Six and Half Point Long Pole” (Luk dim bun gwan), “The Flowing Water Long Pole” (Lau Seui Gwan), the “Left-Handed Fisherman´s Long Pole (Jo Sau Diu Yu Gwan) and the “Fifth Son Eight Trigrams Long Pole” (Ng Long Baat Gwa Gwan).

“The Left-Handed Chinese Opera Six and Half Point Long Pole” (Jo Sau Baan Jung Luk Dim Bun Gwan) is, together with “Geui Chung’s Big Circling Moon Double Knives” (Geui Chung Daai Hang Yut Seung Dou) and the “Arrow Palm” (Jin Jeung), considered the “Orthodox Siulam” (Siulam Jing Jung) heritage of the Lam family.

“Six and Half Point Long Pole” comes from the circle of “Red Junks of the Chinese Opera” (Hung Syun Hei Baan), where the Venerable Ji Sin (Ji Sin Sim Si), the last abbot of the Southern Chinese Siulam temple, hid from his Ching pursuers. Ji Sin is tied to the “Six and Half Point Long Pole” in most Southern Chinese legends, for example Wingcheun; if you compare the long pole techniques of Hung Kyun and Wingcheun, it is more than likely that they share common roots. Continue reading

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