Category Archives: Hung Kyun Masters

Pavel Macek Sifu on Attaining Balance, Practical Martial Arts and Being Strong [Podcast]

Pavel Macek Sifu on Attaining Balance, Practical Martial Arts and Being Strong - Podcast

Health, strength, and practical combat skills – these are some of the main themes of Robin Gamble Sifu’s Scholar-Warrior podcast with Practical Hung Kyun Chief Instructor, Pavel Macek Sifu.

Gamble Sifu’s motto of the podcast is simple:

“To become a Scholar Warrior is to become a truly balanced, cultured and cultivated person”

In this episode of the Scholar-Warrior podcast you find out how Pavel Macek Sifu: Continue reading

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The Unique Skill of the Double Dragon Sabres

In the Hung Kyun collection of Mr. Lam Jou, one of the most classic weapon skill is “Double Dragon Sabre” (Seung Lung Dou), it is the set that master Lam Jou often performed in his time.

The predecessor of Seung Lung Dou has not been previously investigated. However, the pattern of this sword set is similar to  “Single Battle Sword” (Daan Pok Dou 單朴刀). Comparing Seung Lung Dou to Geui Chung Dou the former uses different kind of blades. It should also be pointed out that Seung Lung Dou and the Cantonese “Butterfly Knives” (Wu Dip Dou) have a different origin. So we can assume that Seung Lung Dou was created in the beginning of the 20th century when different martial art styles came together in Hong Kong, perhaps this set is a result of inter-exchange between areas and cultures, it is also Lam Jou’s mastery and comprehensive study of Northern and Southern martial arts. Continue reading

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The Lam Family: Three Generations of Hung Kyun

Lam Family Hung Kyun

During the 20th century it is said that Hung, Lau, Choi, Lei, Mok were the five big Gung Fu styles of the Guangdong province. Different regions shaped distinctive styles of martial arts, like the Lung Ying Kyun, Southern Praying Mantis, Mok Ga Kyun of the Hakka minority in Eastern Guangdong. The area of Xinhui, Jiangmen, Yangjiang was dominated by Choi Lei Fat. In Chaoshan Choi Mok Kyun was the dominating style. In the martial arts schools as well as the martial arts culture of Guangzhou, Foshan and other big cities were influenced by external elements. Continue reading

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“Tiger & Crane Sparring Set” – Full Set Performed by Grand Master Lam Chun Sing [Video]

“Tiger & Crane Sparring Set” - Full Set Performed by Grand Master Lam Chun Sing

“Tiger & Crane Sparring Set” is without a doubt a signature sparring form of Lam Family Hung Kyun – true heritage of legendary Grand Master Lam Jou. It is also a favorite sparring set of my Sifu, Grand Master Lam Chun Sing. Many of the applications and combat techniques that my Sifu teaches are based on Fu Hok ChaakContinue reading

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Kungfu Men “Face Defeat”

Kungfu Men “Face Defeat”

This is not going to be the most popular post on our blog.

Nevertheless, if you are a Chinese martial arts practioner or teacher, you have to know, think, and act.

Here is a transcript of the newspaper article above:  Continue reading

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Lam Family Hung Kyun: About Carrying the Tradition Forward and Innovation

Family and lineage have been important values in Chinese history since ancient times. In other words, the family shrines have been important symbols. Its position within the community can be compared to a church in Western countries, a place for religion and belief. The comparison between western churches and Chinese family shrines can be applied to physical education, traditional Chinese martial arts have been taught from one generation to the next and developed during that process. This kind of passing knowledge from one generation to the next is common in traditional Chinese culture. In this tradition, family bloodline has been an important aspect. All the famous South Chinese martial arts, Hung, Lau, Choy, Lei, Mok, are all surnames. Thus, the development of martial arts have been inherited from one generation to the next which has given each category a specific features. Some varieties of martial arts have kept their knowledge within their families and they have not been allowed to teach outsiders. Continue reading

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Legends of the Old Hung Ga Kyun Masters: “Iron Bridge Three” Tit Kiu Saam

Legends of the Old Hung Ga Kyun Masters: "Iron Bridge Three" Tit Kiu Saam

Everyone says that Hung style, Lau style, Choi style, Lei style and Mok style are five famous styles in Southern Chinese martial arts. Among these, the Hung style has the most disciples. In the past fifty or sixty years, the Hung style exponents such as Wong Fei Hung, Lam Sai Wing, Taam Man and others have become famous among younger practitioners in Southern China. Continue reading

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Hung Ga Kyun’s Wooden Dummy: Grand Master Chan Hon Chung [Rare Video]

Hung Ga Kyun's Wooden Dummy: Grand Master Chan Hon Chung

Does Hung Ga Kyun have a Wooden Dummy (Muk Yan Jong)? The answer is – it depends.

We have already revealed a traditional Hung Ga Kyun Wooden Dummy in one of our previous articles… kind of, so our regular readers already know.

Let us expand the answer: If a Hung Ga practitioner uses whatever Wooden Dummy, it becomes Hung Kyun Muk Yan Jong. Folks, it is a tool, and if used correctly, it might be very useful tool, not only to condition your palms, fists, and “Bridge Hands” (Kiu Sau). Continue reading

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3 Tips from Charris van’t Slot Sifu & Short “Iron Thread Set” Demo

I have been in contact with Charris since late 1990’s. We were both enthusiastic about Hung Ga Kyun training and research, and finally met in 2000 in Germany.

Charris is one of the most senior European students of my Si Baak, Grand Master Lam Chun Fai, so whenever I see him again, I make sure to train with him and learn more about the way my Si Baak does things and teaches.  Continue reading

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Rare Video: Grand Master Chiu Kau Performs “Iron Thread Set” (Tit Sin Kyun)

Rare Video: Grand Master Chiu Kau Performs "Iron Thread Set" (Tit Sin Kyun)

Grand Master Chiu Kau (1895-1995) was definitely one of the most influential Hung Ga Kyun teachers of the 20th century.

He started to learn Hung Kyun in 1909 under the guidance of Wong Sai Wing Sifu in South Pacific. In 1928 he joined „Lam Sai Wing’s 2nd Branch School” in Hong Kong, together with his wife Siu Ying.  Continue reading

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